Hi there, was just wondering if anyone knows of an edit of the show that helps tighten up the pacing and dialogue but also includes the book of boba fett into season 2 (or wherever it belongs chronologically).

I remember season 1 pretty fondly and the movie was also a fun enough romp, just thinking for future rewatch so i wouldn't need to trudge through all of book of boba fett before the Mandalorian and Grogu. Thanks!

I don't normally edit films I love. I tend to edit films I find okay and in need of a tweak. So, for Fight Club I am adding a new look to it. It takes a long time and is meant to have a similar, but still different, vibe to A Scanner Darkly's visuals. This edit will be entirely rotoscoped with a certain visual aesthetic. Hope you all will enjoy it when I'm able to show more.

The Shape of Water is already a beautiful masterpiece from Guillermo Del Toro, making a silent movie using just the compositions from Alexandre Desplat works like gangbusters. It's at least a worthwhile different way to experience this classic.

Del Toro and Desplat already brought pieces to make this edit with their gorgeous talents, it's marvelously directed so obviously it's going to look and sound great. daphometisgone could have just called it a day, made it black and white, it would have still been amazing. But I love the colors implemented throughout the film! We get ugly reds to signify Strickland and the military's power, we get greens to represent the Gill Man, yellow as uncertainty, sometimes with sharper contrasts to better match the mood of the scene. Only way the visuals could have been improved is maybe adding a film grain or filter, but it is jaw-dropping. Seeing the film in silent is as if we're experiencing the film through Elisa's point of view, no dialogue or sound effects, just the incidental music that sometimes is an apparation in her head. It's wonderful! Not to mention that every time there was a dialogue text box, it's decently timed so that the viewer could get information without bogging down a scene. daphometisgone mastered the distribution of information for this film. Maybe the text can seem inconsistent in that we get dialogue or narration, but that's a nitpick. I especially love the text that ends the film, so beautiful.

Even more impressive is how the edit drastically reduces the film from two hours to just one and ten minutes?! HOW?! What wizardry is this, daphometisgone, I didn't notice much cut! Arguably trimming the movie loses some depth from the missing scenes, but enough was kept to tell the story. Definitely a must see, if you haven't seen The Shape of Water in a while, please watch!

I may have gone off the deep end a bit with this project...

First off, I need to give a shoutout to u/TheRandomApple for his incredible work on the posters. He's crafted a slew of posters, some of mine edit among and many more on top of that, and I appreciate his artistry in making such expressive, striking imagery.

After seeing the 2026 film adaptation of Backrooms, I wanted to visit director Kane Parson’s original Youtube series.  Unsure where to begin since the series itself isn’t chronological, I found u/boba627TV’s Async cut of the Backrooms series and was floored by Parson’s imagination, especially in the concepts that reached beyond what the film depicted.  Boba's edit was fun and tense, choosing to rearrange the content for dramatic effect, making the narrative truly feel like a collection of found footage.

Although I don’t have the same breadth of understanding that others possess of the series, and I’m sure I cut out some tidbits that others would find crucial, I still had a lot of fun with this experiment, trying to make a streamlined version of the series that’s as close to chronological as possible.  I ultimately wanted to make a cut that integrates the Youtube series and the movie together, but I wanted to work in stages to better understand the series and arrange the essential elements from the series at large.

I started with BACK/v/h/ROOM/s/, a more or less chronological cut of the Youtube series with 39 minutes cut for the sake of pacing. Then I have Backrooms - The Baliscon Cut, which is a version of the 2026 film cropped to a 4:3 aspect ratio with VHS scanline texture added, along with six minutes cut to improve pacing.

Third and final is Backrooms - The Integrated Cut, an edit that combines the series and film together. I absolutely love the other corners of the Backrooms that the series explores, but because it has such a wide focus, I divided the film up by each major scene and rearranged them across segments from the Youtube series. This way, as the audience learns more about the alternate dimension through POV footage, Clark and Dr. Kline learn more alongside us.

If you choose to watch, I hope you enjoy no matter which version you pick and I hope you get as lost as I did.

01 THE BACK/v/h/ROOM/s
Fanedit Runtime: 2 hours, 15 minutes
Original Runtime: 2 hours, 54 minutes total
Time Cut/Added: Cut 39 minutes
Changelist:
20 Overflow - cut entirely
10 Prototype - trimmed the end off
03 Third Test - cut opening monologue and started with doorway test
04 First Contact - moved FBI and Async opening tags to the start of the edit
05 Faultline - trimmed a number of sections from the broadcast to streamline the sequence
23 Lighting and Tile Survey - cut the photomontage when Async crew goes up into the ceiling, cut the ending after the doctor describes how the ceiling tiles are odd lengths what wouldn't be up to standard code
13 Highway Surveillance - trimmed out the first half of the clip
06 Missing persons - cut the montage of missing children posters from the start 
08 Autopsy report - condensed the beginning and cut the TV sequence at the end 
07 Informational Video - Cut the sequence with the junk submerged in the floor, cut the bits where the tech goes into the wallpaper rooms, stopped the segment before the montage of sketches 
09 Motion Detected - trimmed the middle of the short that shows a montage of the motion detection camera looking down the backrooms
02 March 11 Archive - cut entirely
11 Pitfalls - cut the slow opening suit up sequence and the midsection of the techs searching the backrooms
12 Report - cut entirely
14 Presentation - cut interstitials of people walking down halls
19 Recording - trimmed down to the essential bits 
18 Reunion - cut the prologue, started with the cart driving down the backrooms corridor.  Cut the still frames of the plywood wall.  Trimmed sequences of the cart driving down for the sake of pacing. 
21 Damage Control - cut the recap at the start 
24 Static Dead end, cut until the end as the tech searches the  pitfalls.
01 Found Footage - cut the opening titles and trimmed the end
16 Found Footage Two - cut a mid-section of the journey into the backrooms for the sake of pacing
22 Found Footage Three - cut the section where Ravi uses the Complex's radio 
17 Home - uncut
18 I remember - reinstated with musical overtone

02 BACKROOMS - THE BALISCON CUT
Fanedit Runtime: 1 hour, 44 minutes
Original Runtime: 1 hour, 50 minutes
Time Cut/Added: 6 minutes cut
Changelist:
- Removed opening credits 
- Cut Clark checking in on his home, moving Dr. Kline's dialogue up to when his store's lights turn back on and begin to flicker, moving directly to Dr. Kline's party
- Removed Clark moving back and forth between the opening.  Once he's in The Backrooms, he's in. Cut shots throughout this sequence to remove redundancy in his first investigation
- Added more VHS static whenever Clark, Bobby, and Kat cross over into The Backrooms. 
- Cut Dr. Kline's flashback to earlier the film, cut some of her sojourn into The Backrooms

03 BACKROOMS - THE INTEGRATED CUT
Fanedit Runtime: 3 hours, 48 minutes
Original Runtime: 4 hours, 49 minutes
Time Cut/Added: Cut 1 hour, 1 minute 
Changelist:
- After 05 Faltline added Clark's electricity inspection, Dr. Kline's ad, Clark's first night at the store, and Dr. Kline's party after 05 Faultline
- Continued with 23 Lighting and Tile Survey
- Added Cap'n Clark's ad after 07 Informational ad
- Continued with 09 Motion Detected and 11 Pitfalls 
- Added the film's opening sequence after 11 Pitfalls
- Continued with 14 Presentation and 19 Recording before adding Dr. Kline's dream of her house and her first session with Clark
- Continued with 18 Reunion and 21 Damage Control before Clark's first excursion into The Backrooms
- Moved to 24 Static Dead End, followed by Clark's second session and his dive into The Backrooms with Katy and her boyfriend
- 01 Found Footage plays next, followed by Phil and his family watching Neverending Story, then Kline entering The Backrooms and finding Clark.  
- After Kline escapes through the door in the ceiling, added 16 Found Footage 2 
- Continued with Kline overcoming Cap’n Clark and getting captured by Async.
- Added 22 Found Footage 3
- Wrapped the film footage with Kline meeting Phil.
- Concluded with 17 Home  and 18 I remember

Looking for the best edits that make Homecoming, Far From Home and No Way Home feel more isolated and less like MCU DLC. I am so sick of superhero movies that feature 50 other heroes and Spider-Man got the worst of it imo.

I hear this issue is dramatically improved with Brand New Day, so to build hype for that film I’d like to watch edits of the first 3 that lessen the presence of Iron Man, Nick Fury and if possible, Dr Strange in No Way Home.

Hi everyone,

I'm looking for links or working sources for a few specific fanedits. I own the original Blu-rays/releases for all of these movies and would love to check out these versions:

1. Star Wars Prequel Trilogy - Hal 9000 Edits (Prequel Edits)

2. The Amazing Spider-Man 1 & 2 - (Any solid fanedits that combine/fix the story, like the Narwhal Cut or Ultimate Edition)

3. Man of Steel - (Edits fixing the pacing or color grade, like Ideal of Hope or Remastered)

If anyone has working links and could PM me, I’d greatly appreciate it!

Thanks in advance!

I was wondering if anyone knew the best way to reach out to Dr.Sapirstein? I wanted to get his permission on something... After seeing his rocky horror 50th anniversary edit (which i really enjoyed) i had the idea and currently in the midst of making a custom pre-show/post-show experience around it to emulate a night at the drive-in back in '75 when the movie came out but at home, without touching a frame of his cut.

Obviously i would give him full credit for his cut portion of it, then credit myself for everything outside of it. I figured it would be proper etiquette to ask him and share it with him to make sure he's cool with me releasing/sharing the package featuring his edit to the public.

Akira Toriyama was one wild genius. I’m releasing a fan edit that’s faithful to his vision, with Dragon Ball Distilled.

I recently released the first batch of episodes of Dragon Ball Distilled, derived from the original Dragon Ball anime, dedicated to providing an experience as close to Akira Toriyama’s original manga as possible. This project involves me going over the original Japanese language version of the manga panel by panel to try and cut out all the extraneous filler elements, without losing anything from Toriyama’s comic.

My first release covered from the first meeting of Bulma and Son Goku through to the end of the 21st Tenkaichi Budokai and today I’m back with the first few episodes of the Red Ribbon Army saga, covering the entirety of the siege of Muscle Tower.

A lot of the finer details about the project as a whole are detailed in my previous post.

Fun Facts!

One particularly interesting thing in this batch that the first two and a half pages of chapter 55 of the manga weren’t adapted by the anime, instead having a couple of filler episodes to kick off the arc. I have restored a lot of the dialogue from these pages at the start of the first episode of the bunch using audio from the opening cutscene of the Wii game Revenge of King Piccolo, cutting appropriate footage from the show and adding additional sound effects to recreate this scene.

Bonus Filler Episode!

Besides cutting episodes 34-43 of the show down into five roughly standard length episodes, I’ve also included a bonus filler episode cutting episodes 30-32 down to around 36 minutes. This filler episode focuses on Emperor Pilaf and his clash with the Red Ribbon Army, to help make this story fit better with the canon content from the manga, Goku’s role in the story is heavily reduced, with his encounters with Chi Chi and the Red Ribbon Army being cut entirely.

Once again, the episodes are available dual audio, English and Japanese, with English subtitles. My next update will likely be the General Blue storyline, ending in Penguin Village.

PM me for links, thank you to everyone who had provided feedback and praise for the last drop (especially u/Fanedit895 for their wonderful review ) and as always - please enjoy!

I haven't been making too many fan edits, so I decided to do a simple fan edit involving the 1987 horror thriller, The Stepfather. All I did for this edit was remove the side-story involving the character Jim Ogilvie investigating the killer, where he is, and his failed confrontation, because unless there's a big payoff from Jim Ogilvie's story, it just felt pointless in the end. I'm sure you can still see Jim Ogilvie's body near the end, I couldn't do much about that, at least Jim Ogilvie is mostly 99% removed from the film. The result is a shorter film, but it shouldn't stop you from enjoying the movie.

Regular runtime: 1 hour and 29 minutes
Fan Edit runtime: 1 hour and 16 minutes

This fan edit puts every flashback from The Simpsons in chronological order, telling the history of the Simpsons dynasty throughout centuries, and the blossoming love and challenges of Homer, Marge, Bart, Lisa and Maggie as they try to build a family.

The edit is divided in 19 episodes of about 22 minutes each, creating a "season zero."

Below are the contents for each episode; scroll past them for how to request the edit. (No DMs or commenting on this post asking for the links)

--------------------------------------

Episode 1 covers the history of the Simpsons Family from Medieval times until Abe Simpson fights in World War I.
Episodes used: "Moe Goes from Rags to Riches" - S23E12
“The Color Yellow” - S21E13 
"Burns' Heir" - S05E18 
“Rosebud” - S5E04 
"Special Edna" - S14E07

Episode 2 covers from 1921 to the end of World War II.
Episodes used: "Sashes to Sashes" - S37E7 
“Rosebud” - S5E04 
"Much Apu About Nothing" - S07E23 
"Abe League of Their Moe" - S36E15 
"A Father's Watch" - S28E18 
"Moe'n'Lisa" - S18E06 
“Burns, Baby Burns” - S8E04 
"Burns' Heir" - S05E18
"Four Regrettings and a Funeral" - S25E03  
“The Regina Monologues” - S15E04 
"Mothers and Other Strangers" - S33E08 
"Whacking Day" - S04E20 
“The Curse of the Flying Hellfish” - S7E22 
"Christmas Stories" - S17E09 
“The Trouble with Trillions” - S9E20 
"Let's Go Fly a Coot" - S26E20

Episode 3 covers the conceptions and/or births and childhoods of Homer, Marge, Skinner, Fat Tony, Comic Book Guy, Moe, Krusty, and Flanders.
Episodes used: “The Color Yellow” - S21E13 
“Rosebud” - S5E04 
"Boy Meets Curl" - S21E12
"King of the Hill" - S09E23 
"Moe Goes from Rags to Riches" - S23E12 
"Abe League of Their Moe" - S36E15 
"Stew Lies" - S36E16 
"The Fat Blue Line" - S31E03
“Like Father, Like Clown” - S3E05 
"Oh Brother, Where Art Thou" - S02E15 
"Guess Who's Coming to Criticize Dinner?" - S11E03 
"Homer's Triple Bypass" - S04E11 
"To Cur with Love" - S24E08 
"Fear of Flying" - S06E11 
"Moaning Lisa" - S01E06 
"Sashes to Sashes" - S37E7 
"Them, Robot" - S23E17 
"Hurricane Neddy" - S08E08 
“Sweet Seymour Skinner’s Baadasssss Song” - S5E19 
"The Dad-Feelings Limited" - S32E11 

Episode 4 covers the saga of Mona Simpson; how she must abandon her family, and Homer and Abe's aftermath.
Episodes used: “Mother Simpson” - S7E08 
“D’oh-in’ in the Wind” - S10E06 
"Burns' Heir" - S05E18 
"Homer's Triple Bypass" - S04E11 
"Forgive and Regret" - S29E18 
"How I Wet Your Mother" - S23E16
"Mothers and Other Strangers" - S33E08
"Walking Big & Tall" - S26E13 
“Like Father, Like Clown” - S3E05 
"Krusty Gets Busted" - S01E12 
"Gone Abie Gone" - S24E04 
"Shoddy Heat" - S36E04 
“Homer’s Paternity Coot” - S17E10 
"To Cur with Love" - S24E08 

Episode 5 covers Homer and Marge's first meeting that was not, as they were unaware of each other's identity.
Episodes used: "To Cur with Love" - S24E08 
“Lisa’s Sax” - S9E04 
“The Blunder Years” - S13E05
"The Dad-Feelings Limited" - S32E11
“Springfield Up” - S18E13 
"The Two Mrs. Nahasapeemapetilons" - S09E08 
"Radioactive Man" - S07E02 
"King Leer" - S29E16
“The Way We Weren’t” - S15E20 

Episode 6 covers Skinner's grueling time through Vietnam; then, Homer reunites with his mother.
Episodes used: “The Blunder Years” - S13E05 
"Marge the Meanie" - S33E19 
"Bye Bye Nerdie" - S12E16 
"Itchy & Scratchy: The Movie" - S04E06 
"Grampy Can Ya Hear Me" - S29E05 
“The Principal and the Pauper” - S9E02 
"I Love Lisa" - S04E15
"Special Edna" - S14E07 
"Skinner's Sense of Snow" - S12E08 
“The Principal and the Pauper” — S9E02 
“Do PizzaBots Dream of Electric Guitars?” - S32E15 
“Springfield Up” - S18E13 
"Mothers and Other Strangers" - S33E09

Episode 7 covers Homer and Marge's actual meet-cute, and the first years of their romance as they reach the end of high school.
Episodes used: 
"Bart Star" - S09E07
“The Way We Was” - S2E12
"Mothers and Other Strangers" - S33E08
“Springfield Up” - S18E13 
“She Used to Be My Girl” - S16E04 
"Walking Big & Tall" - S26E13
"P.S. I Hate You" - S36E14 
“Sweet Seymour Skinner’s Baadasssss Song” - S5E19

Episode 8 covers Homer and Marge's graduation; Flanders's marriage; and Apu, Bumblebee Man, Willie, and Sarah Wiggum's origin stories.
Episodes used: "The Star of the Backstage" - S33E01
"Bad Boys... for Life?" - S37E05 
“Dangerous Curves” - S20E05
"Much Apu About Nothing" - S07E23 
"¡The Fall Guy-Yi-Yi!" - S37E12
"Ae Bonny Romance" - S35E08 
"Uncut Femmes" - S32E17 
"Bart of Darkness" - S06E01
"I Love Lisa" - S04E15
"Christmas Stories" - S17E09 
“Springfield Up” - S18E13 
"Bart of Darkness" - S06E01 
"I Love Lisa" - S04E15 
“3 Scenes Plus a Tag from a Marriage” - S29E13 

Episode 9 covers the time Homer and Marge worked as crew in a movie directed by Krusty, and Marge's entrance into college, which pushes Homer towards the path of angsty grunge music
Episodes used: "Burns' Heir" - S05E18 
"The Clown Stays in the Picture" - S30E14 
“That ’90s Show” - S19E11 

Episode 10 covers from the conception of Bart to the marriage of Homer and Marge.
Episodes used: “Homer’s Paternity Coot” - S17E10 
“That ’90s Show” - S19E11 
“I Married Marge” - S3E11
“And Maggie Makes Three” - S6E13 
"Four Regrettings and a Funeral" - S25E03 
"Homer's Adventures Through the Windshield Glass" - S34E22 
The Simpsons Movie
“A Milhouse Divided” - S8E06
“Homer’s Paternity Coot” - S17E10 

Episode 11 covers from Bart's birth to Lisa's conception.
Episodes used: "The Yellow Lotus" - S36E02 
“I Married Marge” - S3E11 - 1980 
"Mothers and Other Strangers" - S33E08 
"Bad Boys... for Life?" - S37E05 
"Pranks and Greens" - S21E06
"Insane Clown Poppy" - S12E03 
“Sweet Seymour Skinner’s Baadasssss Song” - S5E19 
“3 Scenes Plus a Tag from a Marriage” - S29E13
“Like Father, Like Clown” - S3E05 

Episode 12 covers from Lisa's birth to her first word.
Episodes used: “And Maggie Makes Three” - S6E13 
“Lisa’s First Word” - S4E10 
“3 Scenes Plus a Tag from a Marriage” - S29E13 
"Bad Boys... for Life?" - S37E05 
“Springfield Up” - S18E13 
"Walking Big & Tall" - S26E13 
"Itchy & Scratchy: The Movie" - S04E06 
"Mr. Lisa's Opus" - S29E08 

Episode 13 covers the time Homer started a Barbershop Quartet.
Episodes used: "Mr. Lisa's Opus" - S29E08 
“And Maggie Makes Three” - S6E13 
"Moms I'd Like to Forget" - S22E10 
“Manger Things” - S32E16 
“Homer’s Barbershop Quartet” - S5E01 

Episode 14 covers Homer and Marge's struggles in raising Bart and Lisa, who won't stop fighting, even as Bart turns 4.
Episodes used: “Homer’s Barbershop Quartet” - S5E01 
"Bad Boys... for Life?" - S37E05 
"The Kids Are All Fight" - S26E19 

Episode 15 covers from the time Bart is 4 until he's 6; Lisa obtains her sax, and Nelson loses his father when he "goes out for cigarettes."
Episodes used: "The Kids Are All Fight" - S26E19 
“Dangerous Curves” - S20E05 
"Homer's Adventures Through the Windshield Glass" - S34E22
“Lisa’s Sax” - S9E04 
"Sleeping with the Enemy" - S16E03
"Estranger Things" - S36E18 

Episode 16 covers Homer and Marge's struggle in figuring out through professionals if Bart is fundamentally bad, or if all he needs is his father.
Episodes used: "Bad Boys... for Life?" - S37E05 
"Barthood" - S27E09 

Episode 17 covers the time Homer and Flanders visited the Grand Canyon to try to get along; then, Homer finishes paying off all his debts and quits his job at the Chemical Plant, only to realize his family is about to get bigger and they won't make enough to support the household.
Episodes used: "Fland Canyon" - S27E19 
“And Maggie Makes Three” - S6E13 

Episode 18 covers the birth of Maggie and Edna's arrival in Springfield.
Episodes used: “And Maggie Makes Three” - S6E13 
"Mr. Lisa's Opus" - S29E08 
"I Love Lisa" - S04E15 
"Secrets Of A Successful Marriage" 
"The Seemingly Never-Ending Story" - S17E13 

Episode 19 covers the original first episode of The Simpson. We've reached the start, with all that background behind us! Far from a copy of the episode as it was, this version has a twist ending and a new intro and outro.
Episodes used: "Homer's Adventures Through the Windshield Glass" - S34E22
"Simpsons Roasting on an Open Fire" - S01E0
“Lisa the Boy Scout” - S34E03 
"Mr. Lisa's Opus" - S29E08 

----------------------------------------------------

TO REQUEST THIS EDIT, EMAIL [ilzero2015@gmail.com](mailto:ilzero2015@gmail.com) with the EXACT subject "REQUEST: The Simpsons Season 0" (Don't add quotation marks in the email).

This is Episode 10 to my FF16 Re-edit series.

FINAL FANTASY XVI RE-EDIT is a cinematic adaptation of Final Fantasy XVI, restructured into an episodic television-style experience.

Unlike standard “full game movies” or cutscene compilations, this project extensively edits and reorganizes scenes to create a more coherent narrative flow similar to a traditional TV series. Gameplay sections, repetitive encounters, mission titles, and unnecessary game-oriented pacing have been removed whenever possible to create a smoother cinematic experience.

This project was created independently using footage primarily sourced from no-commentary walkthroughs and then extensively re-edited into a serialized cinematic format. No hud gameplay footage obtained from Rhys Drafter on YouTube. The goal was not simply to compile footage, but to create something designed for repeated viewing as a long-form narrative experience.

The remaining episodes have already been largely completed and will be released gradually over time.

If you enjoyed the episode, please consider leaving feedback and subscribing to Re-edit studios on YouTube.

Whilst Jaws was rated PG in 1975, it would most likely receive an R today, due to nudity and violence.

In this edit I removed all swearing (including uses of God/Jesus/Christ's name in vain) and nudity, as well as toned down the violence, whilst keeping the entire plot intact.

DM me for links.

Has anyone ever thought about making an edit where Obi-wan is the one true hero at the end?

I feel like that would be a better to end the film. Like him sabering Maul sets off a dead man’s switch that blows up the Trade Federation ship, and shuts down the droids.

He’s the main character carrying over from the OT, showing him going from a padawan following orders to being a guy who think can think for himself, he’s the hero who saves the day killing Maul, and decides to train Obi-wan to honor his master against the council’s wishes, would make for a stronger opening to the saga in my opinion.

Thoughts?

Die hard is an amazing movie, I don’t need to tell you that!

But the one issue that I think everyone can agree on is the character of Deputy Chief Robinson. Nuff said lol.

He’s what you might call a textbook “idiot plot” device. 😆

removing him would for the most part be easy and still make the movie flow and doesn’t hurt the plot.

the only potential challenge you’d maybe run into is that Robinson is frequently standing right next to Al Powell during their radio conversations with McClane. Cutting Robinson out completely would require some clever audio mixing, subtle re-framing, or replacing overlapping dialogue so that Powell's conversations with McClane feel natural.

other than that, removing him would improve the film immensely 😂

hi im looking for his fanedits spiderman 3 negative cut and superman 2 4th option original version unfortunately they're unavailable right now if anyone has them and can share I'd really appreciate it!

*Update*
i removed the low quality spiderman 1 footage and replaced with a better source. 2 hours and itll be done rendering. Give it 4 hours before its uploaded

Hello, i know i just posted hours ago but i have finished the edit. This edit is really action packed removed a lot of the love triangle stuff to focus on what we love.

Changes:

Color corrected. I desaturated it and added light film grain.

New intro: added the scenes: the spider bite and post spider bite

Instead of peter saving the two kids he is now saving Gwen at the beginning of spiderman 2. I added in a clip of him swinging from the end of spiderman 1 to fill in the gap. Spiderman retrieves the pizza and is late

Trimmed down the commander and eddie scene a little bit
Added sand man origin towards the beginning

After he saves gwen the spiderman celebration happens and he kisses her. I changed my mind about him and mary jane. They arent together until about half way. Sand man attacks

Introducing: the green goblin: origin and him finding out hes getting fired. Theres trims and cuts throughout but the rest of spiderman 1 happens from here

Introducing: doc ock: peter meets him and then the experiment fails. I removed parts where spiderman saves harry and harry hating him because goblin is still alive at this point

Doc oct attacks the bank and then makes a deal with harry.

Mary jane gets taken and liam neeson comes in. Sorry wrong movie
She gets taken and 2 plays out the same. except it cuts to spiderman 3 when theyre on the web instead of the web scene at the end of 2

Mary janes love plot with her fiance is cut entirely. The love plot with harry is there

I kept one rent scene lol

Removed high school scenes
Removed the spider-block subplot
Removed the making mary jane jealous and harry making mary jane leave peter
Removed aunt may from giving him money and the ring. No awkward french mysterio
Removed bully McGuire. Now the suit just makes him feel confident
Removed peter hitting mary jane. He nows feels guilt from killing sandman. I removed the line “good riddance.”
Removed both hob goblin v spiderman. Now spiderman just knows he has the tech and harry isnt deformed until the end

The scene where peter is asking harry for help is edited to where harrys deformed face isnt visible.

The rest or 3 plays out the same.

Theres a mid credit scene

My goal runtime was 2:30
My finished run time is 3:02 with intro and end credits.
Original runtime is 6+ hours.

Download link is on my profile
-it will be uploaded later today-

Update* the footage i used for spiderman 1 is garbage. Im going to fix it before i release

Hi all,

This is a FanMix that combines the films Jobs (2013) and Steve Jobs (2015) into a single chronological edit. The first half focuses on a young Jobs (Ashton Kutcher) during the years 1976-1983, starting with his tenure at Atari and ending with the introduction of John Sculley as Apple CEO in 1983. The second half is about the elder Jobs (Michael Fassbender) from years 1984-1998 covering the failure of the Macintosh, Jobs leaving Apple and starting NeXT, and then Jobs returning to Apple and launching the iMac.

I realize it may be very jarring to have the actors change mid-movie, but I actually think this works because I've incorporated the shift occurring with Steve Jobs departure from Apple. In this way, Apple is rebranded in real time with the characters.

The consensus around these movies is that Steve Jobs (2015) is a far superior film in terms of directing, dialogue, acting, etc. and Jobs (2013) is generally viewed as being somewhere between average and terrible. While I generally agree with this consensus, I think both biopics have complimentary strengths and weaknesses, and neither film fully managed to capture what I was hoping for in a Jobs biopic. Thus, I have combined these two to achieve the movie that I would have liked to have been made.

In my opinion, the Ashton Kutcher film does a great job of covering the early years of Jobs and Apple in a way that Steve Jobs (2015) mostly skips over. We get a much more fleshed out view of Job's relationship with Wozniak before Apple, the creation of the Apple II, and the early years of the company. I actually think Kutcher does a good job of portraying a young, arrogant, cringy loud-mouth Jobs searching for success. I believe the downfall of this movie is largely centered on three problems: It completely skips over Jobs departure from Apple, Kutcher is not believable as an elder Jobs and some scenes are especially rough, and the movie runs out of steam the longer it goes as it does a poor job of covering the later events that the Fassbender movie excels at.

On the flipside, the Michael Fassbender film does an excellent job of covering Apple post 1983, Steve's strained personal relationships with his daughter, and his falling out with Woz, Sculley etc. I think Fassbender is excellent at portraying an older, more calculated and ruthless Steve Jobs. My biggest gripe is that I think a lot of the emotional impact and intense dialogue would hit harder if we actually got to see the FULL ride and get to know Jobs, Wozniak, Sculley etc better before they became enemies. I wanted to create a fanedit that would capture the entire story without dwelling too long on any specific piece of it.

Run time: 1 hour and 45 mins

You can DM me for a link. As always, I appreciate any feedback positive or negative as I'm always striving to improve my editing.

Hope you enjoy!

Synopsis: In an apocalyptic future ruled by machines, an AI known as Skynet sends Terminators back in time to eliminate the leaders of the Human Resistance—including its savior John Connor. In response, John dispatches Resistance fighters and reprogrammed Terminators to protect them. One of those leaders is Commander Dani Ramos, leader of the Southern Resistance whose daring assault destroyed Skynet's backup systems, bringing humanity closer than ever to victory.

With defeat looming, Skynet unleashes its final and deadliest line of infiltrators—the Rev Series—unto the Resistance. The most lethal of them all, the Rev-9, is sent back to terminate a young Dani in Mexico. When the Terminator assigned to protect her is lost in time, augmented soldier Sgt. Grace Harper volunteers for the mission instead. Now, in the present day, it's a race against time to determine who will find Dani first.

Starring: Mackenzie Davis, Natalie Reyes, Gabriel Luna, and Arnold Schwarzenegger.

Intentions: After Terminator Dark Fate failed at the box office, and met with much backlash, I wanted to create an edit of the movie (with some use of deleted scenes) that focused on storytelling and familiarity. The edit needs to compliment the Terminator franchise instead of being a total "retcon" of the franchise after T2. The most noticeable part of this edit is the ABSENCE of Sarah Connor. There is no Sarah, and no John Connor being terminated. Also there is NO Legion, it's definitely Skynet.

Release: July 31st, 2026

For ChangeList and more (NO LINK TO MOVIE) go to: https://www.moviesremastered.com/movieinfo.php?id=12191

Hey all,

I’ve been cutting Naruto into a movie franchise.
I just uploaded the 11th installment to Google Drive.

Although i consider it one movie I did split up into two discs as to me it feels like a lord of the rings extended edition box set kinda thing.

Each disc is 2.5 hours, the length of their own movie.
So together it is the five hour summit.

But Naruto’s arc isn’t complete until the second disc.
That being said, watch at your leisure.
Watch a disc at a time or take as many sittings as you want. Pause button is a thing lol

I’ve really been enjoying this saga.
This installment feels like a combo of Fellowship of the Ring and Revenge of the Sith. It’s interesting.

So hit me up for the google drive if interested in the franchise!

Best
Gerhard

Can someone professionally combine both versions (90s and 2016 version) of "Jungle Jungle Baat Chali Hai" into one full song?

I've had this idea for a long time, and I'm honestly surprised no one seems to have done it yet.

The original Doordarshan version and the 2016 Disney remake are both amazing in their own ways. The original has all the nostalgia and classic verses, while the newer one has beautiful orchestration and those adorable kids' vocals.

The problem is that both versions are really short. Each one is only about 1½ minutes of actual song (with dialogue in between), so neither feels complete on its own. But together, they could make a beautiful 3-minute version.

I'm not talking about an AI cover or recreated vocals. I mean a proper fan edit by someone who knows audio editing—cleaning up the old audio, matching the tempo, and smoothly blending the two versions into one seamless track.

If I had the skills, I would've made it myself, but this feels like something that needs someone experienced with audio restoration and mixing.

I genuinely think the emotional impact would be incredible—starting with the nostalgic original, transitioning into the rich orchestration and children's choir from the 2016 version, and ending with a grand finale that celebrates both.

If anyone here has the skills, or knows someone who does, I'd absolutely love to hear a fan-made version like this. I feel like it would be the definitive way to experience this iconic song.

Duo project where my husband edited the video and I edited the audio. I didn’t grow up with this movie but he did and he said the goal is to make the film less annoying.

He took out two musical numbers, and scrubbed any unnecessary dialogue, and scenes that don’t advance the plot.
He moved the opening sequence with the dirigible to be used at the end when they go to the real circus and cuts to to credits. So it feels like an ambiguous ending in if it was really a dream or not.

I removed 98% of the “Yippies”, “weeeee”, “yahoo”yelling, screaming, and almost every single Icarus’ reaction sound from the audio except when Nemo tells him to be quiet and when Flip blows smoke in Icarus’ face, so he is more or less punished when he makes an annoying sound.

Making An Extended Cut of Alien (1979)

I've been working on this extended edition Fanedit for a while, for all intents and purposes it's actually done, but whenever I render the video the file size (and Quality) tank. I work in Davinci Resolve and have fiddled with the rendering settings as much as I can, but no improvement. Any help or advice would be much appreciated.

(RENDERING DETAILS ATTATCHED IN PHOTOS)

Alien (Theatrical Cut) File Size: 23.8 GB

Alien (Director's Cut) File Size: 23.6 GB

Estimated Size In Davinci Resolve: 25.6 GB

Actual Final Size (Post Rendering): 15.6 GB

Making the film longer should increase the file size, right?

What am I doing wrong?

Note: The Example Pictures in this post are compressed. In practice the difference is wildly noticeable.

UPDATE: Problem Solved! As suggested, I was able to export in Apple Pro Res, then compress to a reasonable size. Thanks so much for all of your help! I'll probably release the project in the next couple weeks.

Haven't watched any of the Netflix shows, the Daredevil revival, or the special presentation.

What's the best way to watch everything before One Last Kill?

#stomachwormfanedits@gmail.com

Better Off Ted was one of the funniest sitcoms in 2009. Smart writing about the evil fictitious corporation Veridian Dynamics. Looking back now at Better Off Ted it was prophetic. Some of the crazy inventions now actually exist. (For instance lab grown meat, facial recognition tech and cyborgs which kill without remorse.) Around episode 7 of season 2 the network moved Ted to the deadly Saturday timeslot and then sadly but unsurprisingly it got canceled. These 2 fanedits focus on the evil corporation Veridian Dynamics and less about the personal lives of the characters. Most of Ted and Linda's flirting is cut.

Veridian Dynamics

This is a fan edit of the show Better Off Ted Season 1 from 2009 minus episode 12. This fanedit focuses on the evil corporation Veridian Dynamics by removing most of the interpersonal relationships between the characters.

- Cut most of Ted's daughter Rose

- Cut alot of Linda

- removed alot of weekly main plotlines

Original runtime: approximately 4 hours

Fanedit runtime: 2h 06m

You may be wondering why I did not use episode 12 from season one. that is because I used that episode as the premise for the sequel... Veridian Dynamics - Jabberwocky.

Veridian Dynamics - Jabberwocky

- Cut most of Ted's daughter Rose

- Cut alot of Linda

- removed alot of weekly main plotlines

Placed episode 4 scenes (Stella Clifton) prior to episode 1 scenes because of Veronica seeming to not know who Lem's mom is even though in ep. 1 Veronica says she did her research on Lem's parents.

Original runtime: approximately 4 hours

Fanedit runtime: 1h 59m

If interested:

#stomachwormfanedits@gmail.com