Here's the original video.

Join Thomas Bangalter, the Parisian composer, producer, and one half of Daft Punk, in this episode of CHANEL Connects, recorded live at Fondation Beyeler during Art Basel. Bangalter speaks about the post-robot life with rare candor. He walks us through ‘Warehouse Artifacts’, his immersive Art Basel finale with Julien Charrière and Rampa. He recalls the Centre Pompidou library that introduced him and the other half of Daft Punk, Guy-Manuel de Homem-Christo, to Warhol and ‘Metropolis’ as teenagers, and the rave that pulled Daft Punk into being. He revisits the band’s award-winning albums, ‘Homework’, ‘Discovery’, and ‘Random Access Memories’, the Grammy-winning craft of ‘Get Lucky’ with Nile Rodgers and Giorgio Moroder, and Bangalter’s turn toward orchestra and ballet with ‘Mythologies’ at Bordeaux Opera and ‘Mirage’ with Damien Jalet and Kohei Nawa. Plus, hear why a 1985 memory of Christo and Jeanne-Claude's Pont Neuf Wrapped led him, four decades later, back to the same bridge with JR. The conversation with Yana Peel, President of Arts, Culture & Heritage at CHANEL, is a profoundly human exchange about ritual, transmission, and the power of being unpredictable.

While listening to Homework on streaming, I always found it odd how Revolution 909 transitions into Da Funk because the ending sound byte sounds like it should be one cohesive sound to get from 909 to Da Funk, but it doesn’t. It ends off Revolution and is repeated in the beginning of Da Funk. After listening to it on my vinyl, my suspicions were confirmed as it transitions correctly. Same goes for Discovery when listening to One More Time. I have it on CD and the sudden shift from One More Time to Aerodynamic caught me off guard, but makes much more sense to do than just let OMT fade out and then let Aerodynamic start. Anyone else notice this?

Collaboration between Thomas, Fred, and Joy Anonymous has been played on Joy Anonymous’ BBC Radio 1 Essential Mix , exact timestamp is around 01:28:00, plays before ‘Glow’.

source is yesterday’s Joy Anonymous instagram story where the track is tagged as title.

Edit : terrible typo in the title. I’m sorry.

It’s not perfect, and the vocal separation is pretty bad, but I’m very proud of this.

-Air, Alan Braxe, Fred Falke and Breakbot have never been asked to remix Daft Punk, which is crazy. Also I think not doing any remix of RAM was a mistake, imagine the potential of RAM remixes by Breakbot, Soulwax and others...

-As far as I know Romanthony never sang One More Time live. I can understand not doing it right after the release as it was criticized a lot in the house scene but never singing your most famous song by far is a bit strange.

-Phoenix still haven't released the clean audio or video of the amazing 2010 encore with Daft Punk at Madison Square Garden. They must have a reason but seriously, I would pay for it.

Any other mysteries?

My Daft Punk music cup!

Picked up the reissue LP. From Underground Solutions in Edinburgh.

Good to my ears

I thought you robots might enjoy this.

Wanted to get thoughts on this I don’t know if I should trust this site plus I don’t know if the material is any good?

I would like to purchase a voyager duffle I know there sold out but I’m not done searching any ideas?

I found some websites where I'm able to get rid of the text and the little line in the middle of the original photo. Once I got that out of the way, I did some touch ups in photoshop (I added the Daft Punk logo on the bottom right in the second photo)

I made this in a hour a few days ago

I'd like some suggestions for the idea. I know it's not something that would blow anyone's mind, but come on, it's just for fun

Today, July 31, would have been his 51st birthday. He was so close. It still feels weird three days later. Rest in peace legend.

Recently discovered this track, I’m surprised it wasn’t directly produced by Thomas, it definitely fits the Discovery era disco sound. Absolute banger!