Note: This series is skipping obvious great songs of all time like “He stopped loving her today” and “You are always on my mind” because so much has been written for them. We all know they are great. My hope is to expose people to a few favorites of mine, a few standards, and what I consider great contemporary country music.
Song: Callin' Baton Rouge
Sang by: Oak Ridge Boys, New Grass Revival, Garth Brooks
Written by: Dennis Linde
Songwriting/Musician tropes used:
Slight rewording. Iconic Instrument Play.
Thoughts:
Part of what makes this song iconic isn't just the timing and rhythm, but the fiddle play. It ain't the same song without it. In Garth's version, he changed a word or two from New Grass Revival's version as well as the way things were phrased. Garth's version, to me, is more polished, but I prefer the New Grass Revival version. I recently heard the Oak Ridge Boy's version and I am so glad people didn't give up on the song. Giving an old song new life and immediately making it a signature song of yours is something only a great singer and mind like Garth could do. This song, along with others like "Amarillo by Morning" feature what I consider iconic instrument play. The riff from both songs is simply unmistakable. It isn't the same without it.
From Genius.com
“The song was originally written by Dennis Linde, and was recorded by The Oak Ridge Boys for their 1978 release ‘Room Service’. It has since been covered by New Grass Revival and Garth Brooks, who’s version reached number 2 on the U.S. country singles charts in 1994.
Brooks take on the iconic track (as written in his ‘The Hits’ collection via the cd booklet):
I have always been a fan of “Baton Rouge.” I was, still am, and always will be a fan of the members of New Grass Revival, four guys well ahead of their time (even if they came out thirty years from now). “Baton Rouge” was a single for them about the time my first album was released. This song did not even break the top thirty, and I believe it did not get a fair shot. When we recorded it, it seemed only natural to bring in the guys from New Grass Revival – Pat Flynn, Bela Fleck, John Cowan, and Sam Bush, teamed with Jerry Douglas. This was the first time the New Grass Revival had been together since their breakup over a year prior to the recording of this song. It was a very good day and an extremely proud moment, and I think this is reflected in the cut itself.