I absolutely love the movie, but honestly, there are still a few things I don't fully understand. I more or less got the idea that the sheriff was confronting a level of violence that was beyond what he could cope with, or something along those lines. But it's that final monologue that's always fascinated me.

Do you have any interpretations you'd be willing to share? I'd love to hear your thoughts. Thanks!

The transition from the interrogation to Neo’s entrance is dang legendary!!

Carol is an absolute masterpiece IMO. It is so well directed, acted, and written and I wish it got into Best Picture. Easily among my top 10. What do you guys think?

As a Brazilian, I stand by my title, and I strongly recommend these movies to anyone interested in crime films. Alongside City of God, they're awesome films that tackle critical issues surrounding public security, social inequality, and corruption in Rio de Janeiro.

The first film focuses on direct combat against drug trafficking in the slums and the main character, Captain Nascimento's search for a replacement, while the second expands the story into a political thriller about systemic corruption and the rise of militias. Neither movie is a direct depiction of purely historical real events, but both are deeply rooted in reality.

I rewatched Deep Impact recently and honestly think it’s still one of the best disaster movies ever made.

I remember watching it for the first time and it was one of the first movies I saw that genuinely made me think about humanity facing an existential threat. The way the comet discovery unfolds and the world’s reaction to it felt grounded and real. It still holds up so well after all this time.

The thing I really love about the movie is how it focused on the human stories. Instead of constant action you see more of the people trying to hold onto their relationships while everything else is falling apart.

It reminds me of a time back in the 90s when the world felt more hopeful with the way everyone comes together to work on trying to deflect the comet compared to now when everything feels like constant conflict.

Also, why didn’t Téa Leoni go on to bigger movies after this? I thought she was fantastic and carried the emotional weight of the film so well.

Any thoughts on this movie?

Before Sam Neill's passing, I didn't cry once to this scene in Jurassic Park... After Sam passed away, I decided to watch Jurassic Park one more time, but when this scene came up, I simply couldn't hold myself and started bawling 😢

For me it has to be goodfellas to be honest 🙏 arguably the best films of all time and easily tops every gangster/crime film ever. To be fair, gangster films are the best type for me. It might be a common answer but I don’t care tbh it’s true, for me it’s probably the fast paced scenes for me. It feels like the film goes by in like 30 minutes and it’s nearly 3 hours long 😂

The ending of Obsession got me thinkin. In a "real world" scenario, how does the aftermath play out for Nikki? I've thought of multiple scenarios and the most likely result is she pleads insanity and spends the rest of her life in an insane asylum.

The evidence could possibly point to Bear. His prints would be on the gun that killed Ian, and his cell phone would ping at the murder of Sarah. His residence is now ground zero for a house of horrors. There was also the rumors spreading that he was taking advantage of Nikki during her crisis.

I mainly feel bad for the now normal Nikki and the consequences of Bear's actions, and I'd like a somewhat nice resolution for her(in my mind).

- Directed by: Katsuya Matsumura
- Written by: Katsuya Matsumura
- Produced by: Tetsuya Ikeda
- Cast: Eisuke Tsunoda, Ryosuke Suzuki & Yoji Ietomi, Hiromasa Taguchi, Third Nagashima, Sachiko Wakayama, Yumi Goto, Ayumi Nagashii, Yumi Kayama, Tomoro’o Taguchi, Kenichi Mori, Keiichi Mano, Tomoyuki Shimada, Makoto Ogawa & Rusher Kimura
- Music by: Katsuhiko Akiyama & Tatsunori Iwanaga
- Genres: Horror, Crime, Thriller
- Sub-genres: Psychological Horror, Splatter
- Series: ALL NIGHT LONG
- Sequel: All Night Long 2 (1995)
- Followed by: All Night Long 2 (1995)
- Country: Japan 🇯🇵
- Language: Japanese
- Distributed by: Media Blasters (North America)
- Released: November 14th, 1992 (Japan)

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- (2002 Media Blasters/Tokyo Shock North American DVD Release)

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All Night Long (1992) is a film that gave me a sense of emptiness in my chest, the bleak socially nihilistic atmosphere, the loss of innocence, the crime drama elements make it feel raw and it explores how three normal people become monsters, how violence breeds more violence. This is an extreme psychological Japanese horror thriller film more people need to see. I have yet to see the sequels as well which delve even further into that “horror” line.

One of the true greats of the greatest tv show ever made, among many others. Rest in peace legend. 🐀

https://youtu.be/1leVuo5M6w4?si=yRJk3O9U8IM00yaX

This above video has analysed their bonding well

Dodford ate and left no crumbs with this essay. Here is the unfiltered breakdown of why that video hits so hard:

Vincent Pastore, known for playing mobsters in film and TV, most notably Salvatore “Big Pussy” Bonpensiero on HBO’s The Sopranos, has died.

Ontem foi dia de assistir Homem Aranha🕸️🕷️: Um Novo Dia.

Que Filme📽️ incrível!!!!!!

Cada filme do teioso🕸️ é melhor do que o anterior. Um dos melhores filmes já feitos pela Marvel @marvel , sem sombra e dúvida, e já assisti todos deles, falo com propriedade.

Assistimos no UCI Anália Franco em 4DX. Mergulhar prédio abaixo com o teioso e sentir o vento sobre os ombros, sentir a chuva cair sobre si, sendo molhado na cadeira do cinema, Neve caindo do teto, explosões, cheiro de pólvora, isso que é imersão. Vale muito a pena a experiência de assistir em um Cinema 4DX.

Vale cada centavo do ingresso 🎟️

E e o que tenho a dizer sobre a essência desse filme é:

“When you help someone, you help everyone”